Table Of Content
At the back, a door to the right leads to the entrance-hall,another to the left leads to Helmer’s study. Between the doors stands apiano. In the middle of the left-hand wall is a door, and beyond it a window.Near the window are a round table, arm-chairs and a small sofa. Engravings on the walls; a cabinet with china andother small objects; a small book-case with well-bound books.
A Summary and Analysis of Henrik Ibsen’s A Doll’s House
Nora in turn tells her about Torvald’s illness and how they spent a year in Italy. Weighed down and confused by her trust in authority, she loses faith in her own morality, and in her fitness to bring up her children. A mother in modern society, like certain insects, retires and dies once she has done her duty by propagating the race. Love of life, of home, of husband and children and family. Now and then, as women do, she shrugs off her thoughts.
A Doll’s House
The writing style of the play, A Doll’s House, shows the straightforward and persuasive approach of the writer, Henrik Ibsen, who has completely rewritten the rules of drama. He doesn’t follow the existing pattern of melodrama. Instead, he has presented real characters and real situations that we, as the audience, can relate to. He has also tried to fictionalize the expected women’s role in society how they confront various social problems, undergo various challenges, and tolerate disgrace of self and family. It was also too forward-thinking for that time where women had very little say the society. The dialogues are very simple, straightforward, lively, and true-to-life situations.
Money and Work
Yes, that is what Torvald says now. [Wags her finger ather.] But “Nora, Nora” is not so silly as you think. We havenot been in a position for me to waste money. You might give me money, Torvald.
Largely self-educated, Ibsen failed the university entrance examination to pursue medical training and instead pursued a career in the theater. Ibsen would transform the conventions of the well-made play into the modern problem play, exploring controversial social and human questions that had never before been dramatized. In the play, society was subject to a strict moral code, in which appearances were more important than substance. Torvald is overly concerned with decorum, even more so than with his alleged love for Nora. Eventually, Nora sees through the hypocrisy of the whole system and decides to break free from the shackles of the society she lives in, leaving both her husband and her children.
Brief Biography of Henrik Ibsen
KROGSTAD.Tell me, Mrs Helmer, can you by any chance remember what day your fatherdied? —on what day of the month, I mean. NORA.If you speak slightingly of my husband, I shall turn you out of the house.
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Analysis of Henrik Ibsen’s A Doll’s House
I hope you willget home all right. I should be very happy to—but you haven’t anygreat distance to go. [She goes out; he shuts the doorafter her, and comes in again.] Ah!
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Only just as muchas you can afford; and then one of these days I will buy something with it. She dances so badly and acts so childishly that Torvald agrees to spend the whole evening coaching her. When the others go to dinner, Nora stays behind for a few minutes and contemplates killing herself. Nora tells Kristine of her difficult situation, gives her Krogstad's card with his address, and asks her to try to convince him to relent.
Upon seeing him, Dr. Rank comments that the man is "morally diseased." Before we offer an analysis of A Doll’s House, it might be worth recapping the ‘story’ of the play, which had its roots in real-life events involving a friend of Ibsen’s. NORA.I know I shall often think of you, the children, and this house. The maidsknow all about everything in the house—better than I do. Tomorrow, afterI have left her, Christine will come here and pack up my own things that Ibrought with me from home. I will have them sent after me.
Nora refuses, and Torvald reads the letter from Krogstad anyway. Doctor Rank, who is dying of an incurable disease, arrives as Nora is getting ready for a fancy-dress party. Nora asks him if he will help her, and he vows to do so, but before she can say any more, Krogstad appears with his letter for Torvald.
I believe that before all else I am areasonable human being, just as you are—or, at all events, that I musttry and become one. I must think over things for myself and get to understand them. You don’t understand me, and I have never understoodyou either—before tonight. No, you mustn’t interrupt me. You mustsimply listen to what I say.
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